Working on my project proposal to develop more at SDU 😀
A Dance Cognition Approach to Ballet TrainingPresentations
It was an honour to present about my approach to ballet pedagogy at the Laban / Bartenieff Movement Summit.
Presenting on my “Kinesthetic Empathy Approach” to Dance Pedagogy in April 2023Presentations
My proposal, “A Kinesthetic Empathy Approach to 21st Century Ballet Training: Integrating LBMS and Research in the Cognitive Sciences” has been selected for the Laban Bartenieff Movement System Summit in April 2023! More information coming soon! (https://www.inspirees.com/waef-2023-lbms-summit/)
Floating Departures: Showing on Public Screens in Metro Vancouver Nov. 18-26, 2022Dance Performance
Check out the F-O-R-M public screens schedule here: http://www.f-o-r-m.ca/2022-schedule/2022/11/21/public-screens-2022
Floating Departures now playing in the DreamState edition of Film Fest by Rogue DancerDance Performance
I am so honoured that Floating Departures has been selected for the DreamState edition of Film Fest by Rogue Dancer. It is a great selection of works and perfect to watch this Halloween weekend!
Available until November 6th here:
Official Selection F-O-R-M film festival 2022Dance Performance
I am beyond excited to hear that Floating Departures has been selected for the F-O-R-M film festival in Vancouver. It will be part of the public screening program in November. I feel so incredibly honoured and humbled to be in the company of such talented artists.
Untying the knot of dance expertise: Enabling kinesthetic transfer in technologically-mediated spacesPublications, Research, Writing
My PhD thesis is now available online via the SFU Summit Research Repository! Check it out here: https://summit.sfu.ca/item/34942
The technological transmission of dance is increasingly becoming more integrated in the construction of dance knowledge. In my dissertation I examine how the physical experience and practice of dance can be effectively recorded and transferred in technologically-mediated spaces. I refer to the physical experience of dance as kinesthetic knowledge and conduct a series of three case studies, informed by my practice in dance and Laban/Bartenieff Movement Studies, to examine the kinesthetic transmission process. Through my research I demonstrate the importance of movement expertise in the kinesthetic transmission process and show how observers interpret translations of kinesthetic knowledge through their unique movement training background. I argue that for kinesthetic knowledge to be effectively transferred in technologically-mediated spaces, there needs to be more understanding of how to design for audiences of diverse movement backgrounds and application of dance expertise research. Informed by an enactive theoretical understanding of cognition, I analyze expert perception through observers’ eye movement patterns, performance in a change detection task, interview data, and survey data. I find dance experts perform better in the change detection task and look closer to the mover’s hip region than non-experts. For research to continue to progress, I suggest dance expertise must be more rigorously defined, and I create the Movement Expertise Survey as a first step in this process. In parallel research, I critically examine how knowledge is transmitted in technologically-mediated dance works and develop the I-TEC design framework to promote kinesthetic interaction. I apply this framework to my development of A Performer’s Perspective, an online interactive documentary that transmits the kinesthetic experiences of three dancers. I suggest embodied design approaches and multi-modal observational practices can increase kinesthetic empathy and generate new physical experiences that are only possible in technologically-mediated spaces. By combining practice-led and practice-based approaches, I emphasize the equal importance of generating knowledge through both artistic and scientific avenues of discovery and suggest a new understanding of movement expertise that can inform research in embodied cognition, dance documentation, and embodied design practices.
Floating Departures IFAFF ScreeningDance Performance
I am so honoured that Floating Departures is a part of the International Fine Arts Film Festival in Santa Barbara! All films are available to view online now!
Check out Floating Departures in Dance Part One: https://internationalfineartsfilmfestival.com/dance-part-one
New Publications: MOCO ’22 Conference ProceedingsPublications
New publications now available from the MOCO ’22 Conference Proceedings!
Check them out here: https://doi.org/10.1145/353797 and https://doi.org/10.1145/3537972.3537987
Paper Presentation at MOCO ’22 in ChicagoPresentations, Research
I am excited to present my paper at the 8th International Conference on Movement and Computing (MOCO) on Friday, June 24th as part of paper session #3. See the full program and abstracts here: https://moco22.movementcomputing.org/program.html
ABSTRACT: Disseminating dance in online spaces provides an opportunity for kinesthetic knowledge to reach broader audiences. However, the transmission of dance in online spaces also primarily relies on visual and aural modalities that cannot fully capture the nuanced physical sensations of a kinesthetic experience. In recent years there has been an influx of interactive online dance resources; yet there is little analysis of how these works effectively translate kinesthetic knowledge to online audiences. We bring together research in dance film and interaction design practices to explore kinesthetic transmission in online spaces and conduct analyses on interactive digital dance resources. Based on our literature review and analyses of these dance resources we propose the I-TEC design framework for kinesthetic transmission. In this framework, Instructional, Translational, Exploratory, and Contextual interactions are brought together to expose the multiple embodiments, perspectives, and translations of kinesthesia.